For me, calligraphy is like meditation. It encourages me to slow-down and exhale, to engage in a simpler and more tactile experience. I become absorbed in the rhythm of writing, with the nib scratching on the paper and the colorful ink flowing smoothly across the page. I find myself both very relaxed, yet intentional and focused — rather than pushing to make something happen, I aim to let go of the distractions and clear my thoughts.
Did you actively promote your page, or did the fans just come virally? I am grateful for and amazed by the support and encouragement the Instagram community has shown me. When I first started, I never could have imagined that my gallery would be where it is today. I really enjoyed the world of writing and simply wanted to share that with others. I got a lot of positive feedback, so I kept posting, and the page kept growing!
I sometimes feel like people are starved for real art, for authentic connections, and for something that lasts longer than a few minutes on the internet. Calligraphy feels so much more permanent and meaningful than a tweet. Does the massive reaction your work has received give you hope about a revival of interest in art forms that have seemingly been forgotten—or do you think that interest never truly left?
It is really encouraging to see just how enthusiastic people are about analogue writing. I think we have a basic need, deep down, for authentic tactile experiences, particularly in the context of our modern digital lifestyles. Rather than viewing digital and analogue experiences as opposing forces, I think we find ourselves today with exciting new possibilities. Can you tell us about the important milestones on your journey from beginner to master, and also recommend some resources for those who also want to develop calligraphy skills?
A big milestone for me on my calligraphy journey was when I started to view words as sequences of strokes rather than letters; the visual structure of the letters began to take precedence over their linguistic function.
We think of calligraphy as an external additive process on the page, but really we have to be able to visualize and feel what we are going to create. For anyone who wants to pursue calligraphy seriously, I would advise looking with intention — look at your favorite logos, fonts, and product labels, and take apart the letters until you can see their most basic structure. You will be amazed how much this helps when you put pen to paper.
I have a number of favorite pens. If I had to choose just one, it would probably be my vintage Waterman No recent wiki edits to this page. This edit will also create new pages on Comic Vine for:.
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